Timothy Schmele & Eleonora De Filippi 2025 Differentiating Sensations of Sound Envelopment in Spatial Sound Synthesis Approaches: an Explorative Study 159th Convention of the Audio Engineering Society, Long Beach, CS, USA, October 23 – 25
Timothy Schmele, Eleonora De Filippi, Arijit Nandi, Alexandre Pereda Baños & Adan Garriga 2025 Emotional Impact of Source Localization in Music Using Machine Learning and EEG in: Ystad, S., Kronland-Martinet, R., Kitahara, T., Hirata, K., Aramaki, M. (eds) Music and Sound Generation in the AI Era, Lecture Notes in Computer Science, vol 15236, Springer Nature, Cham, Switzerland
Timothy Schmele 2024 Spherical Glitch Study Speculative Sound Synthesis Symposium, Graz, Austria, September 26 – 28
Timothy Schmele & Adan Garriga 2024 Spatial Matrix Synthesis Journal of the Audio Engineering Society, 72(4), pp. 193 – 210
Timothy Schmele & Niklas Reppel 2023 Emulating Vector Base Amplitude Panning Using Panningtable Synthesis 155th Convention of the Audio Engineering Society, New York, NY, USA, October 25 – 27
Adan Garriga, Andrés Pérez-López, Gerard Erruz, Timothy Schmele, Umut Sayin, Julien De Muynke, Niklas Reppel, Antonio Farran 2023 Reverberation technique for audio 3d (EU Patent EP3547305B1) European Patent Office
Timothy Schmele & Adan Garriga 2023 Sound spectrum modulation generated by circularly moving sound sources 154th Convention of the Audio Engineering Society, Espoo, Helsinki, Finland, May 13 – 15
Timothy Schmele & Jose J. Lopez 2022 Comparisons between VBAP and WFS using Spatial Sound Synthesis 153rd Convention of the Audio Engineering Society, New York, NY, USA, October 19 – 20
Gerard Erruz & Timothy Schmele 2018 Sound-Space Choreography Audio Engineering Society International Conference on Spatial Reproduction-Aesthetics and Science, Tokyo, Japan, August 7 – 9
Timothy Schmele & Umut Sayin 2018 Controlling the Apparent Source Size in Ambisonics Using Decorrelation Filters Audio Engineering Society International Conference on Spatial Reproduction-Aesthetics and Science, Tokyo, Japan, August 7 – 9
Timothy Schmele, Juan A. Romero, Thomas A. Troge, Nicole Ruiter & Michael Zapf 2015 Sonifying multichannel ultrasound data for periphonic loudspeaker array Proceedings of the 21st Conference on Auditory Display, Graz, Austria, July 8 – 10
Timothy Schmele & Imanol Gomez 2014 Three Dimensional Sonificaton Of fMRI Brain Data In The Musical Composition Neurospaces Proceedings of the 9th Conference on Interdisciplinary Musicology – CIM14, Berlin, Germany, December 4 – 6
Timothy Schmele, David García-Garzón, Umut Sayin, Davide Scaini & Daniel Arteaga 2013 Layout remapping tool for multichannel audio productions 134th Audio Engineering Society Convention, Rome, Italy, May 4 – 7
Timothy Schmele & Imanol Gomez 2012 Exploring 3D Audio for Brain Sonification Proceedings of the 18th International Conference on Auditory Display, Atlanta, GA, USA, June 18 – 21
Carlos Gustavo Román, Timothy Schmele & John O’Connell 2012 Realimentación interactiva en instrumentos extendidos Sistemas & Telemática, Vol 10, No 22
Timothy Schmele 2011 Exploring 3d audio as a new musical language Master’s thesis, Universitat Pompeu Fabra, 2011
Timothy Schmele 2010 Inharmonic Source Study II: Hypercolor Master’s thesis, University of Limerick, 2010
Spatial Matrix Synthesis Timothy Schmele & Adan Garriga 157rd Convention of the Audio Engineering Society, New York, NY, USA, October 8 – 10 2024 link
Emotional Impact of Source Localization in Music Using Machine Learning and EEG: a proof-of-concept study Timothy Schmele, Eleonora De Filippi, Arijit Nandi, Alexandre Pereda Baños & Adan Garriga 16th International Symposium on Computer Music Multidisciplinary Research, Tokyo, Japan, November 13 – 17 2023 link
Towards a machine-learning approach to analyse the emotional impact of source localization in music Eleonora De Filippi, Timothy Schmele, Arijit Nandi 23rd International Society for Music Information Retrieval Conference 2022 link
Comparisons towards common denominators between choreography in both dance and spatialised music Timothy Schmele & Gerard Erruz Ninth International Symposium on Music and Sonic Art: Practices and Theories, Karlsruhe, Germany, June 28 – July 1 2018 link
The Spherical Glitch Studies Timothy Schmele Sounds in Space, Derby, England (youtube, slides), June 26 – 27 2018 link
Dancing on a Loop: A Report on Making No Input Music in an Ensemble Timothy Schmele, Daniel Lindenkreuz, Tobias Walter, Tobias Grothmann, Marnin Jahnke Seventh International Symposium on Music and Sonic Art: Practices and Theories, Karlsruhe, Germany, June 30 – July 3 2016 link
On the creation of my second string quartet “Inharmonic Source Study II: Hypercolor” Timothy Schmele The first annual Irish Sound, Science and Technology Convocation, Limerick, Ireland, 10-11 August 2011 link
Binaural Live Coding Timothy Schmele, Niklas Reppel, Glen Fraser Toplap Barcelona, Online November 27, 2020
Fundamentals of Spatial Audio Timothy Schmele SEAT, Martorell, Spain September 20, 2018
Immersive Audio Production Timothy Schmele, Javier Ferrer, Umut Sayın Sonar Festival, Barcelona, Spain June 14, 2018
Immersive Audio Production Timothy Schmele, Gerard Erruz Tupper Festival, Barcelona, Spain January 12, 2018
Audio Rate Programming in PureData Timothy Schmele elektrosmog, Mannheim, Germany January 8, 2017
Interactive Sound and Video Table Timothy Schmele, Michael Vierling IMWI Hochschule für Musik, Karlsruhe, Germany January 25, 2016
Fundamentals of Spatial Audio Timothy Schmele IMWI Hochschule für Musik, Karlsruhe, Germany December 21, 2015
Fundamentals of Spatial Audio Timothy Schmele CCFA & IMWI Hochschule für Musik, Karlsruhe, Germany November 12, 2015
No Input Music Timothy Schmele, Daniel Lindenkreuz, Tobias Walter, Tobias Grothmann, Marnin Jahnke ESMUC, Barcelona, Spain September 21, 2015