Timothy Schmele
2024
Spherical Glitch Study
Speculative Sound Synthesis Symposium, Graz, Austria, September 26 – 28
Timothy Schmele & Adan Garriga
2024
Spatial Matrix Synthesis
Journal of the Audio Engineering Society, 72(4), pp. 193 – 210
Timothy Schmele, Eleonora De Filippi, Arijit Nandi, Alexandre Pereda Baños & Adan Garriga
2023
Emotional Impact of Source Localization in Music Using Machine Learning and EEG: a proof-of-concept study
16th International Symposium on Computer Music Multidisciplinary Research, Tokyo, Japan, November 13 – 17
Timothy Schmele & Niklas Reppel
2023
Emulating Vector Base Amplitude Panning Using Panningtable Synthesis
155th Convention of the Audio Engineering Society, New York, NY, USA, October 25 – 27
Timothy Schmele & Adan Garriga
2023
Sound spectrum modulation generated by circularly moving sound sources
154th Convention of the Audio Engineering Society, Espoo, Helsinki, Finland, May 13 – 15
Timothy Schmele & Jose J. Lopez
2022
Comparisons between VBAP and WFS using Spatial Sound Synthesis
153rd Convention of the Audio Engineering Society, New York, NY, USA, October 19 – 20
Gerard Erruz & Timothy Schmele
2018
Sound-Space Choreography
Audio Engineering Society International Conference on Spatial Reproduction-Aesthetics and Science, Tokyo, Japan, August 7 – 9
Timothy Schmele & Umut Sayin
2018
Controlling the Apparent Source Size in Ambisonics Using Decorrelation Filters
Audio Engineering Society International Conference on Spatial Reproduction-Aesthetics and Science, Tokyo, Japan, August 7 – 9
Timothy Schmele, Juan A. Romero, Thomas A. Troge, Nicole Ruiter & Michael Zapf
2015
Sonifying multichannel ultrasound data for periphonic loudspeaker array
Proceedings of the 21st Conference on Auditory Display, Graz, Austria, July 8 – 10
Timothy Schmele & Imanol Gomez
2014
Three Dimensional Sonificaton Of fMRI Brain Data In The Musical Composition Neurospaces
Proceedings of the 9th Conference on Interdisciplinary Musicology – CIM14, Berlin, Germany, December 4 – 6
Timothy Schmele, David García-Garzón, Umut Sayin, Davide Scaini & Daniel Arteaga
2013
Layout remapping tool for multichannel audio productions
134th Audio Engineering Society Convention, Rome, Italy, May 4 – 7
Timothy Schmele & Imanol Gomez
2012
Exploring 3D Audio for Brain Sonification
Proceedings of the 18th International Conference on Auditory Display, Atlanta, GA, USA, June 18 – 21
Carlos Gustavo Román, Timothy Schmele & John O’Connell
2012
Realimentación interactiva en instrumentos extendidos
Sistemas & Telemática, Vol 10, No 22
Timothy Schmele
2011
Exploring 3d audio as a new musical language
Master’s thesis, Universitat Pompeu Fabra, 2011
Timothy Schmele
2010
Inharmonic Source Study II: Hypercolor
Master’s thesis, University of Limerick, 2010
Timothy Schmele & Adan Garriga
2024
Spatial Matrix Synthesis
157rd Convention of the Audio Engineering Society, New York, NY, USA, October 8 – 10
Eleonora De Filippi, Timothy Schmele, Arijit Nandi
2022
Towards a machine-learning approach to analyse the emotional impact of source localization in music
23rd International Society for Music Information Retrieval Conference (ISMIR 2022) (late braking demo: link)
Timothy Schmele & Gerard Erruz
2018
Comparisons towards common denominators between choreography in both dance and spatialised music
Ninth International Symposium on Music and Sonic Art: Practices and Theories, Karlsruhe, Germany, June 28 – July 1 (invited talk: link)
Timothy Schmele
2018
The Spherical Glitch Studies
Sounds in Space, Derby, England, June 26 – 27 (invited talk: link (defunct), alternative, youtube & slides hosted here)
Timothy Schmele, Daniel Lindenkreuz, Tobias Walter, Tobias Grothmann, Marnin Jahnke
2016
Dancing on a Loop: A Report on Making No Input Music in an Ensemble
Seventh International Symposium on Music and Sonic Art: Practices and Theories, Karlsruhe, Germany, June 30 – July 3 (invited talk: link)
Timothy Schmele
2011
On the creation of my second string quartet “Inharmonic Source Study II: Hypercolor”
The first annual Irish Sound, Science and Technology Convocation, Limerick, Ireland, 10-11 August (invited talk: link)
Binaural Live Coding
Timothy Schmele, Niklas Reppel, Glen Fraser
Toplap Barcelona, Online,
November 27, 2020
Fundamentals of Spatial Audio
Timothy Schmele
SEAT, Martorell, Spain,
September 20, 2018
Immersive Audio Production
Timothy Schmele, Javier Ferrer, Umut Sayın
Sonar Festival, Barcelona, Spain,
June 14, 2018
Immersive Audio Production
Timothy Schmele, Gerard Erruz
Tupper Festival, Barcelona, Spain,
January 12, 2018
Audio Rate Programming in PureData
Timothy Schmele
elektrosmog, Mannheim, Germany,
January 8, 2017
Interactive Sound and Video Table
Timothy Schmele, Michael Vierling
IMWI Hochschule für Musik, Karlsruhe, Germany,
January 25, 2016
Fundamentals of Spatial Audio
Timothy Schmele
IMWI Hochschule für Musik, Karlsruhe, Germany,
December 21, 2015
Fundamentals of Spatial Audio
Timothy Schmele
CCFA & IMWI Hochschule für Musik, Karlsruhe, Germany,
November 12, 2015
No Input Music
Timothy Schmele, Daniel Lindenkreuz, Tobias Walter, Tobias Grothmann, Marnin Jahnke
ESMUC, Barcelona, Spain,
September 21, 2015