Gerard Erruz & Timothy Schmele 2018 Sound-Space Choreography Audio Engineering Society International Conference on Spatial Reproduction-Aesthetics and Science, Tokyo, Japan, August 7 – 9
Timothy Schmele & Umut Sayin 2018 Controlling the Apparent Source Size in Ambisonics Using Decorrelation Filters Audio Engineering Society International Conference on Spatial Reproduction-Aesthetics and Science, Tokyo, Japan, August 7 – 9
Timothy Schmele, Juan A. Romero, Thomas A. Troge, Nicole Ruiter & Michael Zapf 2015 Sonifying multichannel ultrasound data for periphonic loudspeaker array Proceedings of the 21st Conference on Auditory Display, Graz, Austria, July 8 – 10
Timothy Schmele, Imanol Gomez 2014 Three Dimensional Sonificaton Of fMRI Brain Data In The Musical Composition Neurospaces Proceedings of the 9th Conference on Interdisciplinary Musicology – CIM14, Berlin, Germany, December 4–6
Timothy Schmele, David García-Garzón, Umut Sayin, Davide Scaini, Daniel Arteaga 2013 Layout remapping tool for multichannel audio productions 134th Audio Engineering Society Convention, May 4–7, Rome, Italy
Timothy Schmele, Imanol Gomez 2012 Exploring 3D Audio for Brain Sonification Proceedings of the 18th International Conference on Auditory Display, Atlanta, GA, USA, June 18–21
Carlos Gustavo Román, Timothy Schmele, John O’Connell 2012 Realimentación interactiva en instrumentos extendidos Sistemas & Telemática, Vol 10, No 22
Timothy Schmele 2011 Exploring 3d audio as a new musical language Master’s thesis, Universitat Pompeu Fabra, 2011
Timothy Schmele 2010 Inharmonic Source Study II: Hypercolor Master’s thesis, University of Limerick, 2010
Timothy Schmele & Gerard Erruz 2018 Comparisons towards common denominators between choreography in both dance and spatialised music Ninth International Symposium on Music and Sonic Art: Practices and Theories, Karlsruhe, Germany, June 28 – July 1 (invited talk: link)
Timothy Schmele 2018 The Spherical Glitch Studies Sounds in Space, Derby, England, June 26 – 27 (invited talk: link (defunct), alternative, youtube & slides hosted here)
Timothy Schmele, Daniel Lindenkreuz, Tobias Walter, Tobias Grothmann, Marnin Jahnke 2016 Dancing on a Loop: A Report on Making No Input Music in an Ensemble Seventh International Symposium on Music and Sonic Art: Practices and Theories, Karlsruhe, Germany, June 30 – July 3 (invited talk: link)
Timothy Schmele 2011 On the creation of my second string quartet “Inharmonic Source Study II: Hypercolor” The first annual Irish Sound, Science and Technology Convocation, Limerick, Ireland, 10-11 August (invited talk: link)
Binaural Live Coding Timothy Schmele, Niklas Reppel, Glen Fraser Toplap Barcelona, Online, November 27, 2020
Fundamentals of Spatial Audio Timothy Schmele SEAT, Martorell, Spain, September 20, 2018
Immersive Audio Production Timothy Schmele, Javier Ferrer, Umut Sayın Sonar Festival, Barcelona, Spain, June 14, 2018
Immersive Audio Production Timothy Schmele, Gerard Erruz Tupper Festival, Barcelona, Spain, January 12, 2018
Audio Rate Programming in PureData Timothy Schmele elektrosmog, Mannheim, Germany, January 8, 2017
Interactive Sound and Video Table Timothy Schmele, Michael Vierling IMWI Hochschule für Musik, Karlsruhe, Germany, January 25, 2016
Fundamentals of Spatial Audio Timothy Schmele IMWI Hochschule für Musik, Karlsruhe, Germany, December 21, 2015
Fundamentals of Spatial Audio Timothy Schmele CCFA & IMWI Hochschule für Musik, Karlsruhe, Germany, November 12, 2015
No Input Music Timothy Schmele, Daniel Lindenkreuz, Tobias Walter, Tobias Grothmann, Marnin Jahnke ESMUC, Barcelona, Spain, September 21, 2015